Reason Crushed by the Infernal Dance: Bacon’s Study for a Bullfight No. 1 (c.1969).

  In much of Bacon’s work, and certainly in the present painting, there seems to be an exemplification of the nineteenth-century French poet, Arthur Rimbaud’s advocacy of the deregulation of the senses in order to achieve free understanding. This does not merely occur formally in Bacon but in his very concept of human existence. In Continue Reading

Aengus the Culdee, a saint and church reformer 8th Century

Today March 11th marks the death of Aengus the Culdee or Aengus Céilí Dé (Aengus the servant of God), who lived, studied and died right here in Co. Laois. Aengus was quiet a remarkable figure within the Early Christian Church in Ireland. He was born sometime in the mid-8th century A.D the son of Oengobhan, Continue Reading

Bacon, Expressionism and ‘Inexpressivity’.

  Francis Bacon visited Weimar Berlin in 1927 at the age of 18 accompanied by a certain Harcourt-Smith at the behest of Francis’ father. At the time Germany had entered a retrospectively-termed ‘golden age’ after World War I, subsequent political turmoil and near-economic catastrophe, and was a respite before the crazed fervour and conflict to Continue Reading

Bacon’s Three Studies for a Portrait of Henrietta Moraes(1963) A Laois Connection

Undertaking a profane career that encompassed amphetamine-psychotic cat burglary in the ’60s for which she served prison time, Henrietta Moraes was the epitome of willful caprice and bohemianism throughout her adventurous life. Initially emerging in Soho pubs such as the famous Colony Room and Gargoyle Club as a distinctive and magnetic socialite, she met such Continue Reading